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Cream Living Room with Gold Bead Strand Niche
Cream Living Room with Gold Bead Strand Niche
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Cream Living Room with Gold Bead Strand Niche

This is the formal sitting room, and the plan keeps everything low so the long wall stays clean above the furniture. A fluted wall panelling runs behind the wall-mounted TV, with a floating wood and marble media unit below that keeps the floor open. Two cream barrel chairs and a matching sofa gather around a round marble-top coffee table on a terracotta rug. The standout is a set of gold and glass bead strands hung in a wood-framed mirrored niche, and the mirror behind them throws the light back twice over. The rust piping ties the seating together. The plain cream upholstery is the risk. It marks easily.

Highlight
Gold and glass bead strands in a mirrored niche
Layout
Lounge Style
Theme
Modern
Colour
Wall: White, Cream
Unit: White, Brown
Special Features
  • Fluted wall panelling
  • Floating TV media unit
  • Gold bead strand niche
  • Mirrored niche backdrop
  • Terracotta patterned rug
  • False ceiling spotlights

About Living Room Interiors

Common questions from homeowners.

It is a run of gold metal and clear glass beads strung on thin rods, set inside a wood-framed niche with a mirror behind them. The mirror was the real decision. It doubles the strands and bounces the recessed light around, so the corner never goes flat even with the TV off. Nothing else on that side of the room pulls attention from it, which is why the wall around it stays plain.

The wall behind the television is fluted panelling, a run of vertical grooves that catch light along their edges. It keeps a large flat wall from looking bare without adding colour or pattern. Below it a floating media unit in wood and marble holds the TV kit off the floor, which makes the marble tiles easier to mop under. The grooves also hide the odd fingerprint far better than a smooth gloss panel would.

The seating pairs a cream three-seater and a curved-arm settee with two round barrel chairs, all in the same off-white fabric with rust piping along the edges. The piping is the trick. It draws a clean line around each piece and ties the set together without matching everything exactly. Barrel chairs were chosen over a second sofa because they turn easily for conversation and take up less visual room in a long, narrow plan.

The floor is large-format marble tiles in a soft cream, laid with thin joints so the surface stays calm underfoot. Over it sits a terracotta area rug with an abstract swirl, and that rug carries almost all the colour in the room. Keeping the hard floor pale and the rug warm means you can swap the rug later and reset the whole mood without touching the tiles. Marble stays cool in summer, which suits the climate.

Light comes from recessed spotlights set into a stepped false ceiling, backed up by a pair of brass wall sconces near the TV. There is a wood-blade ceiling fan on the central drop for air. In the day the scheme leans on the spotlights rather than a big central fixture, which keeps the tall ceiling looking uncluttered. The sconces add a low warm glow in the evening for when the overheads are too bright.

Most of the spend sits in two places, the fluted panelling and the stone on the media unit. Fluting is priced by the running foot and the profile you pick, so a deeper groove costs more to mill and finish. The marble top adds material and cutting charges on top. You can bring the figure down by fluting only the TV wall and using a marble-look surface elsewhere. Get two or three quotes before you commit.

Yes, with edits. The floating media unit and wall-mounted TV free up floor, which matters most when space is tight, so keep both. Drop one of the two coffee tables and swap the three-seater for a compact two-seater. Barrel chairs still work because they tuck in close. The bead niche can shrink to a single narrow panel instead of a wide one. The point is to keep the walls doing the decoration so the floor stays walkable.

Plan for regular care. Pale fabric like this shows marks and needs vacuuming and the occasional professional clean to stay fresh, which is the honest cost of choosing off-white over a darker weave. Ask for a stain-guard treatment at the time of order, and keep spare fabric from the maker for future repairs. The rust piping helps, since the edges that get the most handling are the parts that wear first.