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Double-Height Living Room with Arched TV Wall

Two floors of glass sit on one side of this room, so the design had to answer that height rather than ignore it. A slim ribbon chandelier drops through the double volume to bring the ceiling back down to the seating. On the opposite wall, an arched panel frames the TV and a warm light traces its edge, which keeps a large blank screen from sitting on bare plaster. The beige sofa runs long and low to stay under the window line. Two rust chairs add the only strong colour. The cost is upkeep. That much glass shows every mark.

Highlight
Backlit arched TV feature wall
Layout
Lounge Style
Theme
Modern
Colour
Wall: Beige
Unit: White
Special Features
  • Arched backlit TV wall
  • Ribbon-form chandelier
  • Double-height windows
  • Beige sectional sofa
  • White gloss TV console
  • Spiral-textured rug

About Living Room Interiors

Common questions from homeowners.

It is a plaster arch built proud of the wall, with the television set into it and a warm light run around the inside edge. A big screen on a flat wall tends to sit there as a black rectangle. The arch and the glow give it a frame, so the wall still looks intentional when the TV is off. Small recessed shelves on one side hold a few pieces without turning it into a full storage wall.

Because the room is two floors tall on the window side, and a normal ceiling light would have left all that upper air empty. The ribbon-form fitting drops well into the volume and pulls the eye back down to where people actually sit. Its open metal shape matters too. A solid shade that size would have blocked the daylight coming off the tall glass, and the whole point of the double height is that light.

It is a long beige sofa with a chaise return, kept low and simple on purpose. Under a window wall this tall, a high sofa back would have cut across the glass. Staying low keeps the garden view open across the whole room. The neutral colour is deliberate as well, since the two rust chairs and the wood doors are carrying the warmth. Cushions add the softness the plain frame leaves out.

The floor is large-format marble, which is why the room feels so open and reflective. A round rug with a spiral texture sits under the coffee table to mark the seating out from all that hard stone. Floor-length curtains in a warm brown frame the tall windows and soften the corners where glass meets wall. Drawn at night they also take the edge off the echo a stone-and-glass room can have.

The base is beige and cream across the sofa, the walls and the arched panel, which keeps a tall room calm rather than busy. Warm wood on the doors adds depth. The two rust chairs are the one deliberate jolt of colour, placed where the eye lands as you walk in. Gold trim on the arch ties back to those warm tones. Nothing here is bright, and in a double-height space that restraint is what stops it feeling like a lobby.

It needs a bit more thought than a normal-height room. Heat and sound both rise into the empty volume, so soft pieces matter more here, not less. The long curtains, the rug and the upholstered seating are doing acoustic work as well as looking the part. Air conditioning has to be sized for the full height, not the floor area. None of it is a dealbreaker, it just should be planned in early rather than fixed later.

Honestly, more than a tiled and painted room. Marble floors show scratches and need sealing to resist stains, and a double-height glass wall is a lot of surface to keep clear. The payoff is the light and the sense of space, which nothing else really gives you. If low maintenance is the priority, a large porcelain tile that looks like marble takes most of the work out while keeping the look.

Yes, and it often works better in a normal-height room than people expect. You are building a shallow plaster or board arch over the existing wall, so it does not need much depth. The trick in a smaller space is to keep the arch and its light subtle, because a heavy frame will shrink the wall. Skip the recessed shelves if the wall is narrow. The backlight alone does most of the job of lifting the television off flat plaster.