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Living Room with Purple Chairs and Marble TV Wall
Living Room with Purple Chairs and Marble TV Wall
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Living Room with Purple Chairs and Marble TV Wall

Two purple velvet chairs set the colour in this room. A beige sectional this large needs one strong colour to work against. The chrome-framed chairs bring it, and their sled bases keep the floor visible underneath. Behind the television a marble wall climbs the full height, and the gold cut-out screen repeats that warm metal in the corner so the bright panel never sits alone against the cool grey stone. A bubble cluster chandelier hangs low over the gold drum coffee table. The catch is the velvet. It shows every hand that brushes it and wants regular brushing to stay even. The geometric rug pulls the palette together.

Highlight
Purple velvet chairs by the gold drum coffee table
Layout
Lounge Style
Theme
Modern
Colour
Wall: Cream, Grey
Unit: Brown, Gold
Special Features
  • Gold cut-out screen
  • Marble TV wall
  • Bubble cluster chandelier
  • Purple velvet chairs
  • Gold drum coffee table
  • Geometric patterned rug

About Living Room Interiors

Common questions from homeowners.

The seating is a low beige sectional in a suede-look fabric, wrapping one corner in an L. Going sectional instead of two separate sofas means the corner seat is not wasted, which matters in a lounge layout where people face each other and the television both. The pale colour keeps the bulk from feeling heavy in the space. It does show marks sooner than a mid-tone, so a shade like this suits a formal living room more than a daily one.

They are purple partly to break the beige. A room built on cream and marble can go flat, and one saturated colour fixes that faster than adding more furniture. Velvet was chosen because it catches the light and shifts tone as you move past it, so the purple never looks like one solid block. The chrome sled base keeps the pair light on the floor rather than adding another heavy shape to a room that already has a big sofa.

The gold panel beside the seating is a cut-out screen, and its main job is to add pattern to a wall that is otherwise plain stone and paint. The open lattice lets a little light and air through rather than sealing the corner the way a solid panel would. Screens like this also cover a wall junction or a service duct neatly. The trade-off is the cut-outs collect dust and need occasional wiping to stay clean.

The wall behind the television is clad in large marble slabs with grey veining. Running full-height stone behind the screen gives it a proper backdrop instead of leaving it floating on paint. The veining also hides fingerprints and small marks better than a flat painted wall in a spot people walk past all day. The wood console in front breaks the run of stone so the corner does not feel cold or hard.

Three sources do the work here. A bubble cluster chandelier sits over the coffee table for the main glow, a sunset floor lamp throws a warm disc against the marble in the corner, and recessed spots in the ceiling fill the rest. Layering them this way lets you drop the overhead light in the evening and keep only the lamp for something softer.

A suede-look sectional in this pale a shade needs a little discipline. Spills want blotting straightaway rather than rubbing, and a soft brush every week keeps the pile lying one way so it does not go patchy. Most fabrics of this type are treatable, so ask for a stain-guard finish at the time of order. In a home with young kids or pets, a darker performance fabric in the same shape would save the constant fuss while keeping the look.

Yes, with edits. The sectional is the space-hungry piece, so in a smaller room you would drop to a three-seater and keep just one purple chair instead of two. The marble TV wall still works because it adds depth, not clutter, and a single feature wall can make a tight room feel deliberate. Skip the second coffee table too. One round table in the middle keeps the floor open and stops the centre from feeling crowded.

Most of the spend on a wall like this is the marble itself and the polishing, not the fixing. A large-format slab with clean veining costs more than a plain stone, and matching the veins across sheets adds to both material and labour. The gold screen is a separate line depending on whether it is a ready panel or made to size. Get the stone and the screen quoted on their own so you can see where the money actually goes.