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Master Bedroom With Brass Inlay Headboard Wall
Master Bedroom With Brass Inlay Headboard Wall
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Master Bedroom With Brass Inlay Headboard Wall

The headboard wall is the whole story here. We built it in three layers. Vertical wood slats run across the top, a wide upholstered cream panel sits in the middle, and brass inlay lines curve across it like a drawn arc. The bed stays low and plain so nothing fights that panel for height. Two floating bedside tables keep the floor clear under them, which makes the room feel wider. Green accent chairs sit by the window for reading. The catch with brass inlay is upkeep. It marks if you clean it with the wrong spray. A soft dry cloth is all it needs.

Highlight
Upholstered headboard wall with brass inlay and wood slats
Layout
Spacious
Theme
Contemporary
Colour
Wall: Cream, Brown
Unit: White
Special Features
  • Upholstered headboard wall
  • Brass inlay detailing
  • Wood slat panelling
  • Cove-lit tray ceiling
  • Marble-band TV wall
  • Floor-length sheer curtains

About Master Bedroom Interiors

Common questions from homeowners.

It is built in three layers rather than a single flat surface. Vertical wood slats cross the top, a wide upholstered cream panel sits below them, and thin brass inlay lines curve across the middle like a sketch. The upholstery softens sound near the bed, which helps a room used for sleeping. The brass gives the pale panel a warm line of contrast. Doing it in layers means the wall has depth even though the colours all stay quiet and close together.

The platform bed sits low on purpose. The headboard wall behind it is the tall element in the room, and a high bed frame in front would have cut across the brass arcs and the upholstered panel. Keeping the mattress line low lets the whole wall stay visible from the door. A low bed also makes a room with a normal ceiling feel taller. The downside is that a low platform is a little harder to get out of for older users.

The TV wall pairs vertical wood slats with two bands of marble running floor to ceiling. The television is wall-mounted in the centre, with a low marble platform beneath it for a soundbar or a few books. Splitting the wall between wood and marble keeps a large surface from looking like one heavy block. The wood warms it, the stone keeps it crisp. It faces the bed directly, so the screen is at a comfortable height when you are lying down.

Two green velvet chairs sit by the window, giving you somewhere to read away from the bed. At the foot of the bed a long upholstered bench holds shoes or a folded throw. Green was the single colour brought into an otherwise cream and wood room, so the seating has its own presence. Velvet catches the light and feels warm to sit on. Both pieces are loose furniture, so they can move to another room later if the layout changes.

Light works in two layers. A cove around the tray ceiling gives a soft, warm wash for the evening, and recessed spotlights handle brighter task light when you need it. For cooling, a wall-mounted split AC sits high on the side wall, with a ceiling fan under the tray for gentle air movement. Running the fan with the AC lets you hold a higher thermostat setting and still feel cool, which trims the running cost over a long summer.

Yes, and it usually should be simplified. In a smaller room, keep the upholstered centre panel but drop the brass inlay to one or two lines instead of a full arc, since a busy pattern crowds a tight wall. Wood slats can run at the top only rather than the whole height. The floating bedside tables are worth keeping because they save floor space a small room cannot spare. Match the panel width to the bed so it does not look squeezed.

Both want gentle care, not strong cleaners. The brass inlay marks if you spray a general cleaner on it, so wipe it with a soft dry cloth and only use a proper brass polish now and then. The upholstered panel behind the bed should be vacuumed with a brush head to lift dust out of the weave. Treat any spill quickly with a barely damp cloth. Choosing a mid-tone fabric like this cream hides everyday marks better than a very pale or very dark one.

The upholstered panel and the brass inlay are where the money goes, not the paint or the slats. Custom upholstery is priced by the fabric and the framing behind it, and hand-set brass lines add labour because each one is cut and fixed by hand. Wood slats are the cheaper part. You can bring the figure down by choosing a simpler inlay pattern or a standard fabric. Since the panel is the costly item, price the upholstery and the brass separately before you sign off.