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Panelled TV Wall Living Room with Marble Console
Panelled TV Wall Living Room with Marble Console
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Panelled TV Wall Living Room with Marble Console

Plain cream panels run floor to ceiling behind the TV so the screen keeps a quiet backdrop. A long marble media console sits under it, and the black marble base band was chosen because a lighter plinth would have washed into the floor. Cove light behind the console lifts the whole run off the wall. The terracotta velvet sofa carries the only strong colour. Everything larger stays grey. Two ceiling fans sit inside the brown ceiling tray, which keeps the blades out of the cove light. The catch is a busy ceiling overhead. A lit display niche breaks the long panel run.

Highlight
Panelled TV wall with a backlit marble media console
Layout
Open Layout
Theme
Modern
Colour
Wall: Beige
Unit: Beige, Black
Special Features
  • Panelled TV feature wall
  • Backlit marble media console
  • Book-matched marble panel
  • Arched wood opening
  • Lit display niche
  • Brass wall inlays

About Living Room Interiors

Common questions from homeowners.

The wall is one run of plain cream panels from floor to ceiling, with the TV set in the centre. A marble media console runs along the base, topped with beige and brown marble and a black marble band at the bottom. There is a cove light hidden behind the console, so the whole unit looks lifted off the floor. A tall lit niche on the right holds a few pieces and breaks the flat run.

There are two main sofas here. One is a terracotta velvet sofa in a warm rust tone, and the other is a larger grey sectional sofa that wraps a corner. Two round leather ottomans sit at the centre near a round marble coffee table, useful as extra seats or a footrest. The rust is the only strong colour in the room. Everything else stays grey and beige, so the terracotta stands out as the accent rather than the base.

That is a wood-framed arched opening that connects this room to the drawing lounge next to it. The arch is lined with a warm cove light, which softens the edge and marks the passage without a door. Keeping it open lets the two seating areas share light and feel like one long space. A book-matched marble panel sits on the wall beside it, its veining mirrored down the centre for a symmetric pattern.

The ceiling is layered here. A brown glossy tray sits in the middle, dropped below the flat white ceiling, with cove light running around its edge. Two ceiling fans hang inside the tray so the blades stay below the light line. A cassette AC is set into the ceiling on one side, which keeps the walls clear of a wall unit. Recessed spotlights fill in the rest, aimed down at the seating and the marble console.

The floor is a large grey tile in a soft polished finish, which keeps the base neutral under the warm wood and marble. The side walls carry thin brass inlay lines set into cream panels, spaced out as vertical strips. One wall has a ribbed panel section for a bit of texture. A grey circular rug sits under the seating to pull the sofas and coffee table into one group on the hard floor.

Marble tops like this one need sealing every so often, because marble is porous and stains from oil or coffee if left. Wipe spills quickly and use coasters. The cove light behind the console runs on an LED strip, which lasts years but is worth wiring on its own switch so you can use it as low mood light without the main spots. Dust the niche shelves now and then, since the warm light shows every speck.

Yes, but you would shorten the console and drop the second seating group. The full cream panel wall suits a long room where the TV sits far from the sofa. In a compact room, keep the panelling but bring the console width down and skip the terracotta sofa for a single three-seater. The cove light and the marble band still work at any size, and they are the two details that make the wall look built-in rather than bought.

Most of the spend sits in the marble and the panelling, not the TV. A real marble console top and the black marble band cost more than a printed lookalike, and the fitting is slower because slabs are heavy and cut to size. The cove lighting and brass inlay lines add a smaller amount. Prices move with the stone you pick and the wall size, so it helps to price two or three marble options before you commit.